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Her greatest success was in Edouard Bourdet's La Prisonniere in 1935 at the Theatre Heberthot.

She met many of the new authors, who influenced her tastes and reading.

Marcel Pagnol was impressed and gave her the main part in the 1932 film of his play Topaze; 20 years later he suggested remaking it, but she did not feel like repeating an experience which had brought her her first big success.

Jean- Luc Tardieu directed her very sensitively - she walked with difficulty and could not see well - in a selection of texts from Claudel, Giraudoux and Cocteau, and the poems of Apollinaire and Supervielle.

In her delightful autobiography, she charitably pretends to forget the title of this movie, which was a disaster, but it was Woman Hater, in which she starred opposite Stewart Granger.

Her drama professor taught her to follow carefully the dramatist's punctuation: "Respect the comma! She made a number of obscure films, one with Erich von Stroheim who would not start filming until he had visited the shrine of his favourite Saint Rita, a chapel opposite the Moulin Rouge, now surrounded by sex shops.

She made a considerable number of films, most of them unworthy of her talents.

Machine translation like or is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.

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She seemed to be dancing through life, dancing through her films.

Guy Gilles — voice References [ ]• She had a happy childhood in spite of the many problems brought by the First World War, when she and her mother spent some years in Italy while her father served in the Italian army.

But she was also at home in the skins of delicious eccentrics like the grande bourgeoise of Adorables creatures 1952 , discovering the arcane delights of a banal sandwich.